Thursday, 17 October 2019

VIMANA SHASTRA - Part 1 of 4 : RUKMA VIMANA


vimana  shastra
                                                     science of aeronautics

                                                                     ---- Sage Maharshi Bharadwaja 


Abstract
Ancient advanced aerodynamic flying vehicles originally written in Sanskrit text
            

Presented by ,

SANTOSH DANDIN







Introduction

Vaimanika Shastra is an ancient Hindu text written in Sanskrit, which holds back its origin to creators from Vedic sage Maharshi Bharadwaja and other Rishis.

Vimanas are widely described in the genuine ancient texts such as the Ramayana and Mahabharata, as well as other later texts such as the dramas of Kalidasa. They are not metaphors or hyperbole, nor do you have to be a god to own or ride one as in other mythologies. They are treated as manufactured, physical objects, even if portrayed as fanciful flying houses, invested with magical powers of levitation. Sometimes they are simply employed as a plot device to get characters from one end of India to the other quickly. Often they are portrayed as weapons of war. Also compelling, in my mind, are the descriptions of ancient Indian weapons that bear a striking resemblance to artillery, mechanized infantry, chemical, biological, and nuclear weapons, as well as high powered lasers or other energy beams. So there are abundant mysteries to explore in the ancient texts, which you can do at sacred-texts' Hindu texts area.

Vimana capabilities includes means to view remote images on screens, listen to remote sounds, disguise the vimana as clouds or other images, create terrifying sounds, and so on . There is an extensive discussion of the various types of vimanas and their construction, including some that can double as boats or submarines.  There are discourses on the structure of the atmosphere, aeronautic hazards and how to avoid them, and even a section on diet and clothing for aviators! Of interest is the discussion of flying through the various yugas (epochs): in the earliest, most spiritual yuga, people could fly without any mechanical contrivances.

The text is top-heavy with long lists of often bizarre ingredients used to construct various subsystems. This includes items such as monkey skin, eagle bones, sea-foam, and many that are only named in Sanskrit. Often the recipes are a mix of plant, animal and mineral ingredients, and involve mixing these ingredients and cooking them at high temperature in a furnace shaped like an animal, such as a frog. One wonders whether we are talking about metallurgy here, or some kind of alchemy. Most of the systems are described as mechanical devices, powered by steam, electricity or even solar power; a number literally involve smoke and mirrors.
 




RUKMA VIMANA


























Bodhaananda Vritti:
This vimaana is of golden colour. Therefore it is called Rumi vimaana, Rumi meaning gold. The Rukma should be made out of Raajaloha only. By duly processing, Raajaloha can be made to assume golden colour. That metal should be used for the vimaana.
"Yaana-Bindu" says,
"After first producing golden colour for Rajala, the vimaana should be formed."
"Varna-sarvasva" mentions the colouring process:
Praana-kshaara or ammonium chloride 4 parts, wild Bengal gram 32 parts, shashakanda (or lodhra?) benzoin? 18 parts, naaga or lead 20 parts, sea-foam 16 parts, maakshika or iron pyrites 6 parts, panchaanana or iron 20 parts, paara or mercury 15 parts, kshaara-traya or 3 kinds of salt: natron, salt-petre, borax, 28 parts, panchaanana or mica 20 parts, hamsa or silver 17 parts, garada or aconite 8 parts, and panchaamrita or 5 sweets--curds, milk, ghee, sugar, honey, these should be filled in the melter, and after boiling, and drawing the liquid through two outlets, fill in the crucible and place in furnace, and blow to 800 degrees' heat, and then transfer it to the cooler.
That will be Raajaloha, pure, golden-coloured, tensile, and mild. The vimaana, made out of this loha or alloy, will be very beautiful and delightful.
The Peetha
The peetha or ground plate of the Rukma vimaana should be tortoise-shaped, 1000 feet long, and 1 foot thick, or any other desired size. On its eight sides, 20 feet long spaces should be fixed underneath the peetha. At each centre fixtures like birds' beaks should be attached with revolving keelakas. Then double iron-balls or wheels, in couples, should be fixed in each of the 8 centres.
Ayas-chakra
Lalla gives the form of ayaschakra-pinda:
12 feet long and wide, and 8 kankushtas in weight, they should be made round like a grind-stone. They should be inserted in the beaks at the 8 centres. From each chakra-pinda up to the electrical generator chain wires should be connected with switches.




Batinikaa-Stambha
Or Button-switch pole
One foot wide and 4 feet high poles should be fixed. They should have switches wired up to the electric pole. 8 inches wide wheels should be fixed in the middle of the pole, on either side, with wires. From the electric pole chain wires should enclose the wheels and be fixed in another pole with inside hinges. On the top of the poles should be fixed goblet shaped cups with buttonswitches like half-blooms with wheels and keys, so that on pressing the button with the thumb the wheels in the other pole will revolve from electric contact. Then the wheels in the electric pole will also revolve, producing 5000 linkas of speed.
Flying
Due to this electrical force, the ayah-pinda wheels beneath the peetha will beat against it and make it rise and move upwards. And by moving the switches of the wheeled poles above the peetha, the poles will revolve with speed, and accelerate the speed of the vimaana. By the concussion of the wheels underneath, and the action of the poles above, the vimaana will move upwards and gain height and fly with dignity.
Electric tube wheels aiding flight:
Above the peetha, naalas or tubes should be fixed at 1 foot intervals. On both sides of each naala toothed wheels 2 feet wide and 1 foot high should be fixed with proper keelakas. Taking electric wires through the keelakas, and passing over the wheels and reaching the foot of each naala, they should be attached to wheels 3 feet wide and 3 feet high. In the midst of 20 naalas a pole should be fixed in the centre .
Narayana says:
Preparing a pillar 4 feet wide and 4 feet high, and making a 2 feet opening in its middle, fix keelakas at the top, middle, and lower end of the opening. Two keelakas with 6 wheels, with glass coverings, with wires, and naala and leather covering should be fixed at the lower end for attracting electricity. In the middle part of the opening, for transmitting the current, a five-faced keelaka should be fixed, with 5 wheels, glass covering, 2 naala tubes, two wires, attached to 3 rods, and vessel containing veginee oil. By the flow of the current the wheels in the upper end should be made to whirl by properly adjusting keys. In front of the opening a big wheel should be fixed with gumbha keelakas. Similarly wheels should be fixed at the foot of each pillar. On top of them a four inch wide pattika or flat band should be adjusted commencing from the samsarga key chakra up to the front of the electric yantra. By operating that key, power will flow through the wires, and entering the key at the foot of the pillar set the wheels in motion. On the motion of the big wheel the sandhi-wheels in the naala-dandas will also revolve with speed, and the current will enter the 5 faced keelaka, and entering the oil vessel it will gather force, and passing through the 2 naalas, set all the wheels in the pillar in forceful motion, generating 25000 linkas speed, which will give the vimaana 105 krosa or nearly 250 miles speed per ghatika, or 24 minutes.
Having dealt with the mechanism for setting the vimaana in motion, we now consider the mechanism for giving direction to the vimaana in its course. In the 8 diks or directions of the peetha, pillars made of mica and shining like panchakantha, 2 feet thick and 15 feet high should be fixed at intervals of 10 feet. On the pillars should be built the passenger seating arrangements, and booths or locations for the machinery, as in the case of the Sundara Vimaana. The pillars should be made of mica only .
Its production is given in Kriyaasaara:
Shaara-graava or lime 25 parts, kshwinkaasatva or iron-sulphate 30 parts, gunja or wild-liquorice 28 parts, tankana or borax 12 parts, roudree moola 8 parts, chaandree or kantakaari....solanum xanthocarpum flower salt 2 part, purified shoonya or mica 100 parts,, to be filled in koorma crucible, and heated in paadma furnace with blower to 800 degrees, and then poured into the cooler, will yield mica alloy most useful and attractive. Fashioning the pillars or walls or partitions and booths, and fixing the mechanisms for turning, circling, diving, and manoeuvring, in the fore and middle and aft of the vimaana, it could be moved in any direction as desired.
Lallaacharya says:
In order to make the vimaana change its course from one path to another or one direction to another, revolving keelakas should be fixed on the eight sides of the vimaana. Two keelakas should be made, purva and apara, or right side and left side. They should be fitted together.
By operating it, the vimaana could be made to change its course one way or another. In order to operate the keelaka, at the peetha moola, on the 4 sides crescent shaped naalaas or tubes, 2 feet wide and 2 feet high should be fixed. 4 inches long metal rods should be fixed inside the naalaas on either side. One foot wide and 1 foot high wheels should be fixed in them. They should be wired all around. Such crescent naalas should be fixed on the 4 sides of the peetha. In order to set the wheels in the naalas in motion big wheels should be fixed at the beginning, middle, and end of the naalas. By turning the top wheel with speed the wheels inside the naalas will revolve. That will force the keela-shankus to twist round so as to force the vimaana to change its course in the required direction.



  

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